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Journal tagged by Magazine-y

Rubbish FAMzine #12

Rubbish FAMzine #12

The latest issue of Rubbish FAMzine is out this week! We take a look through this twelfth in the series from Singapore, this time titled, ‘The Insatiable Beasts devours Tokyoto Again.’ This one takes the form of a card box packed with zines and other elements, all celebrating the Lim family’s long-awaited return visit to Japan.
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Rahel Stephanie, Pedas

Rahel Stephanie, Pedas

On a mission to bring true Indonesian food to the world, Rahel Stephanie runs London’s sell-out supper club Spoons and has just launched a zine, Pedas. A mix of recipes and musings about Rahel’s Jakarta roots, it has been vividly designed to express the spice of the cuisine. She tells us more as she shares her week ahead.

 

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A Line Which Forms A Volume #7

A Line Which Forms A Volume #7

Magazines can be many things, but distribution channel for student design research promises something special. February’s Magazine of the Month delivers on that promise: the latest issue of A Line Which Forms A Volume, the annual print output from MA Graphic Design students at the London College of Communication.

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Pleasant Place #3, Compost
Page 23

Pleasant Place #3, Compost

Our Page 23 strand uses the randomly selected 23rd page of a magazine to highlight an attribute or factor in magazine-making. It returns after a break with the latest edition of Dutch gardening magazine Pleasant Place; their third issue—themed Compost—features a heavier paper stock in its centre pages.
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Paperboy #4

Paperboy #4

First launched in reponse to the pandemic, to bring good news to its readers, Paperboy is back with a fourth issue that establishes a longer life for the magazine than perhaps even founder David McKenrick anticipated. The ability to entice great contributors to articulate his wit makes it our Magazine of the Month for May.
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Chutney #3

Chutney #3

We loved issue two of Chutney, with its delicate risograph-printed colours and engaging stories. Would a move to offset printing change its character? Luckily not; this third issue succesfully turns what might have been a negative into a positive and is a step forward for the magazine about culture and identity.
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